Fiddle Hell Massachusetts 2017 will be on Nov. 3-5, 2017 in Westford, MA.
Fiddle Hell Massachusetts is a yearly gathering of fiddlers to meet, jam, learn, and have fun. It's both friendly and diverse, crossing all ages and including many traditional fiddle styles. Typically, there are about 20% beginners, 50% intermediates, and 30% advanced players, with many workshop and jam session choices at each level. Roughly 15% of the attendees are kids, and there are some sessions just for them.
The invention of the late, great fiddler Dale Hopkins from Missouri, Fiddle Hell occurs periodically in fun locations worldwide. Prior Fiddle Hells have occurred in the US, the UK, the Netherlands, and Germany. Dale used the term "Fiddle Hell" to refer to the unique sound of many fiddlers playing a tune together. While Dale's two Fiddle Hell gatherings involved performances for the public as well as some informal sharing of tunes and techniques, Dave Reiner extended the concept to make Fiddle Hell Massachusetts more of a fiddle camp for all ages, with scheduled workshops and jam sessions led by a wonderful group of experienced and supportive instructors.
Last year (2016), we had 430+ musicians, mostly fiddlers, at the twelfth Massachusetts Fiddle Hell. They came from as far away as the Netherlands, Scotland, Québec City (Canada), California, Alabama, and Florida, and from as near as Westford itself.
This amazing gathering starts at 11AM on Friday and goes until 6PM on Sunday (Nov. 3-5, 2017). There will be more than 300 instructor-led workshops and jam sessions. Really! As well, there will be lots of informal jam sessions, where the 52 original and 52 new Fiddle Hell common tunes will often show up. The Saturday night concert and contra dance afterwards are legendary!
Fiddle Hell 2017 will held for the fourth year at the Westford Regency Inn, 219 Littleton Road, Westford, Massachusetts. There's lots of workshop and jamming space, loads of free parking, nice rooms if you wish to stay there (and a swimming pool!), and good food both onsite and nearby. Sessions, workshops, the concert and dance, and late night jams will all be under one roof! Click on Overall Logistics on the left for information on booking sleeping rooms with the Fiddle Hell discount code FHELL.
To look at the 2016 schedule from last year, click here and then click on 2016 Friday Schedule, 2016 Saturday Schedule, 2016 Sunday Schedule, or 2016 Schedule Grid on the left. We plan to post a draft schedule for 2017 in August, 2017, but you'll get a good idea of the offerings by looking at the 2016 schedules.
You can order an instructional 2-CD set of all 52 of the original Fiddle Hell common tunes, played both up-to-tempo and slowly by the Reiner Family Band. This is just $15 postpaid (within the US) in our Store. Now there is a new set of 52 common tunes in addition, based on your suggestions on the FH surveys. We'll be recording a 2-CD set of the New 52 in April, 2017!
There will again be a discount for prepayment of the weekend attendance fees, and discounts for kids (17 or under), young adults (18-25), seniors (65 or over), and non-players. Kids must be accompanied by a registered adult or young adult who is responsible for supervising their participation in Fiddle Hell. Click here to see 2017 fees. A number of scholarships are available to those who can't afford the fees. Those who prepay for the weekend will be entered into a drawing for a $100 gift certificate from Johnson Strings / Carriage House Violins.
If you attended Fiddle Hell 2016, click here to take a quick 10-question survey and help us improve Fiddle Hell! We read every response, and really appreciate your feedback.
Fiddle Hell is loosely sponsored online by the Fiddle and Alternative Strings Forum and the Fiddle Hangout. At these websites, you'll find discussions, event listings, and other resources; you can join for free and read about past and future Fiddle Hell meetings.
For many years, Fiddle Hell has been sponsored by CodaBow (maker of great carbon fiber bows) and by D'Addario (maker of responsive, fine-sounding strings). During the 2017 Fiddle Hell weekend, we'll give away many sets of D'Addario Helicore and Zyex strings, and also a couple of dozen sets of D'Addario EXP74 mandolin strings. Right after Fiddle Hell, there will be a drawing on the CodaBow website for a new Luma bow valued at $600-$700 (fiddle, viola, or cello bow to match your instrument). You'll have until Nov 9th to sign up for the giveaway on the CodaBow website, using a code we'll give out at Fiddle Hell. Just so you know, CodaBow will ask for your email when you sign up. To one of the musicians who preregisters for the weekend, we'll give away a $100 gift certificate from Johnson Strings / Carriage House Violins that can be used at Fiddle Hell or at their store in Newton, MA.
The Music You're Hearing: is Beaumont Rag in the key of D, played and recorded live by Dave Reiner (fiddle), Eric Eid-Reiner (keyboard) and Paul Harty (guitar and harmonica) at Buell's Orchard in Connecticut. The music player itself is at the top right of this page if you need to turn it off or make other adjustments.
- Dave Reiner, Andy Eid Reiner, and Eric Eid-Reiner, Fiddle Hell Music Directors
P.S. #1 (from Dave) The Old Groton Inn, which had hosted Fiddle Hell Massachusetts from 2005-2010, burned down on August 2nd, 2011, fortunately with no injuries to guests or staff. The Inn was built around the year 1678. Dark but lively, full of character and history - in many ways that quintessential New England setting was just like the old traditional tunes that we played there. George (the owner) loved music, cooked with pride, and was always telling me - "We'll take care of you, buddy!" And Vicki (the manager) worked very hard, against a variety of obstacles, to make every Fiddle Hell as smooth as possible for her guests. I am very sorry for their personal loss and the historic one as well, and offer my heartfelt thanks for our years of partnership.
P.S. #2 (from Dave) From 2011-2013, Fiddle Hell was hosted at Concord's historic and inviting Colonial Inn. We greatly appreciate the fine support and warm welcome Fiddle Hell received from the Colonial Inn and its staff through those three years. We have moved on to a new location since the event has now grown too large for the Colonial Inn, but we wish them well!
2017 Overall Logistics
Where and When: The Westford Regency Inn at 219 Littleton Road, Westford, MA 01886, combines New England charm with modern amenities, about 45 minutes west of Boston. In 2017, Fiddle Hell will be Friday (Nov. 3) from 11:00AM until 3AM, Saturday (Nov. 4) from 8:30AM to 3AM, and Sunday (Nov. 5) from 8:30AM to 6PM. Come join us for a single day or the whole weekend. If you're coming from far, come early or stay on -- there's lots to do and see in the Greater Boston area.
Prepayment: To prepay for the 2017 Fiddle Hell Weekend, click on Fiddle Hell Fees on the left (or on the top of this window for mobile devices). There is no requirement to prepay, although it saves you money and enters you in a special prize drawing. You can just show up and pay onsite by cash or check.
Parking: There are 800 free parking spaces right at the Westford Regency Inn.
Lodging: The Westford Regency Inn in Westford, MA, has great sleeping rooms if you'd like to stay over. For Fiddle Hell attendees, prices at the Westford Regency are a discounted $102/night plus tax. The discount is valid until 2 weeks before Fiddle Hell. It's a good idea to book early if you want to be sure of a room - last year they were sold out.
To make lodging reservations for 2017, book online here or just call the hotel directly at 978-692-8200 and tell them the magic booking code FHELL to get your Fiddle Hell room discount. There's a choice of two different types of rooms, with either 2 double beds, or 1 king and a foldout sofa. The discount applies to rooms booked for Thursday, Friday, Saturday, and Sunday nights.
Food: The Westford Regency will have breakfast buffets, Clark's Pub, and the restaurant. There are also many other restaurants (fast food and more upscale) within walking or easy driving distance in Westford.
Activities: For our workshops, the Westford Regency has many large meeting rooms with comfortable chairs. Workshops cover many different styles, and also include hands-on learning about jamming, learning tunes by ear, bowing shuffles, playing backup on fiddle, chop bowing, free improvisation, left hand technique, oldtime fiddling, bluegrass fiddling, oldtime fiddling, Swedish fiddling, contradance fiddling, and fiddling for kids. While the frequent focus ia on fiddle, there will be tracks for cello, mandolin, guitar, banjo, and singing. We've also set up jams in particular styles, like Oldtime Southern, Irish, Scottish, Bluegrass, Swedish, Klezmer, and Western Swing, and at different levels. Slow-speed tune workshops will be helpful when you're just learning some of the tunes. There will be some fine jamming spots in the hallways, and it's fine to jam in the workshop rooms between sessions. We will be inviting selected local players (guitar, mandolin, banjo, bass, and more) to join in the jams. See the Schedule for more details.
Clark's Pub has a nice ambiance and fine beverages. During Fiddle Hell, we'll refer to it as Old Joe Clark's Pub, in honor of the eponymous fiddle tune. Under-age fiddlers may attend Fiddle Hell, but obviously can't drink alcohol. We'll have free giveaways from various sponsors, such as D'Addario, CodaBow, the Reiner family, and more.
Vendors: Carriage House Violins, now part of Johnson String Instrument, will be at Fiddle Hell all weekend in 2016 with a selection of fiddles, mandolins, bows, strings, rosin and accessories. They will be able to help with simple set-ups (e.g., helping put on strings). Jonathan Cooper, a well-known violinmaker and an accomplished fiddler himself, will be back with us on Saturday and Sunday. Andy Reiner plays a fantastic Jon Cooper 5-string violin.
Getting there: The Westford Regency is at exit 32 from Rt. 495 (between Rt. 2 and Rt. 3) in Westford, MA. It's about 40-45 minutes by car from Boston, and is very accessible from the North, South, and West as well. The nearest airports are Boston, MA and Manchester, NH. There are commuter rail trains from Boston to several nearby towns including Littleton, MA (5 miles away); check the train schedules to make sure they're actually running when you need them.
Carpooling: You may also be able to share a ride with other Fiddle Hell attendees. We're continuing our new self-serve approach in 2017 to arrange carpools from anywhere to Fiddle Hell and back, with an easy to use and well reviewed website (groupcarpool.com) that only requires a browser (no app, no login). Click here to offer rides as a driver, or to sign up for a carpool as a rider. The free site deals with dates, times, vehicle capacity, and both one-way and round-trip arrangements. You can further coordinate via email or phone. For example, we hope there will be some carpools from Cambridge (perhaps Alewife T stop) and Boston (perhaps near Berklee College of Music). Of course, Fiddle Hell does not take any responsibility for your use of this website to arrange carpools.
Carpooling is especially interesting if you're coming a long distance, say from Connecticut or Vermont. Fiddle Hell is not responsible for these carpooling arrangements, but we've heard that this site works exceptionally well. One suggestion: it's a good idea for riders to offer to chip in for gas and other costs. The site will email you if there are any changes to arrangements.
If you prefer an alternative, you can contact other fiddlers through a posting to the Fiddle Hell Facebook Event or to the Fiddle Hell Facebook Group or to Fiddle Hangout. Onsite, there will be a Fiddle Hell message board in the Registration Room where you can ask for or offer rides.
Accessibility: Fiddle Hell registration and many workshops are on the 1st floor, with no stairs required. The Westford Regency has an elevator between the 1st and 3rd floors where other workshops and the concert will be held. Certain of the guest rooms are "handicapped accessible" according to the Inn. In 2017, we will have two main stairways open (between 1st and 3rd floors).
2017 Session Leaders
For 2017, our 75 leaders include an incredible range of wonderful fiddlers, other instrumentalists, and vocalists. 22 of the 75 are new to Fiddle Hell!
Click on leaders' names to look at their websites. Those new to Fiddle Hell in 2017 are marked with a '+' sign; they are most welcome!
Instrument Codes: F=Fiddle, A=Accordion, B=Banjo, BAG=Bagpipes, BASS=Bass, BODH=Bodhrán, CELLO=Cello, CLAR=Clarinet, D=Dulcimer, G=Guitar, HM=Harmonica, HP=Harp, LYR=Lyra, M=Mandolin, P=Piano, TAN=Tanbur, U=Ukulele, UPIPE=Uilleann Pipes
BALK=Balkan, BG=Bluegrass, BLUE=Blues, BRET=Breton, CAJ=Cajun, CAN=Canadian, CB=Cape Breton, CJ=Chili Judge, CL=Classical, CTRY=Country, DALCRZ=Dalcroze Eurhythmics, EEUR=East European, EN=English, FOLK=Folk, GAL=Galician, GRK=Greek, GYP=Gypsy, IR=Irish, IT=Italian, JAZZ=Jazz, KLEZ=Klezmer, MARI=Maritime, ME=Middle East, MTL=Metal, MW=Midwest, NE=New England, OT=Oldtime (Southern), PEI=Prince Edward Island, QB=Québecois, ROCK=Rock, SCAN=Scandinavian, SCOT=Scottish, SWNG=Swing, TURK=Turkish, TX=Texas, VOC=Vocals (at Fiddle Hell), WL=Welsh, WO=World, WS=Western Swing, Y=Yodeling
Musician Instruments Primary traditional styles + Abby Newton CELLO SCOT, OT, FOLK, WO Alan Kaufman F, M, G OT, BG, Y + Allison de Groot B OT, VOC + Amy Beshara F IR, SCOT, CL, JAZZ, DALCRZ Andrea Beaton F, P CB Andy Reiner F, M OT, IR, BG, CB, SCOT, SCAN, WO, MTL Art Bryan B, G, M NE, OT, IR Art Schatz F WS, BG, CTRY Autumn Rose Lester F, P NE, IR, OT Barbara McOwen F, P SCOT Becky Tracy F IR, QB, NE Bennett Hammond G, B OT, IR, FOLK + Beth Bahia Cohen F, LYR, TAN GRK, TURK, ME, EEUR Bethany Waickman G, M, P NE, IR, SCOT Bob Alessio F, G NE, OT, IT Bruce Molsky F, B, G OT, WO Cathy Mason F OT, CAJ Cindy Eid BODH, B IR, OT, BG, SWNG, BLUE, WS, KLEZ Clayton March F, CLAR IR, NE, KLEZ Darol Anger F, M BG, WO, OT, BLUE, FOLK Dave Reiner F, M BG, OT, IR, NE, WS, TX, MW, CAJ, SWNG David Kaynor F, G, M NE, SWED, CTRY David Moultrup G, M SWNG, BG, VOC David Surette G, M IR, SCOT, BG, BRET, FOLK, SCOT, VOC + Don Roy F, CELLO QB, NE, MARI + Doug Protsik F, P, A NE + Duncan Wickel F, IR, BG, OT, JAZZ Ed Pearlman F SCOT, CB Ellen Carlson F BG, CAN, SWNG, IR, CTRY, BLUE Ellery Klein F IR (especially), SCOT, CB, CL, OT Emy Phelps G VOC, FOLK, BG Eric Eid-Reiner P NE, CB, SCOT, IR, OT, SWNG, WS, BLUE Eric Favreau F QB, CAN + Eric Kilburn M SWNG, JAZZ, FOLK, WO + Eugene Friesen CELLO WO, JAZZ + Flynn Cohen G, M BG, IR, WO Frank Ferrel F NE, IR, QB, MARI, CB George Fowler F NE, IR Gretchen Koehler F NE, CAN, IR, CL Jason Anick F, M, G GYP, JAZZ, SWNG, BLUE Jerry Wile G BG, OT, WS, BLUE John Chambers A, F SCAN, KLEZ, NE, BALK, SCOT, IR. IT John Robinson G BG, IR, OT, NE, SWNG, BLUE, CTRY, CAJ Joy Adams CELLO, B OT, WO, FOLK, VOC, CL + Judy Hyman F OT, CL, ROCK + Julie Lyonn Lieberman F WO, CL, BLUE, ROCK Julie Metcalf F NE, OT, BG, SCOT, TX Katie McNally F SCOT, CB, G + Ken Perlman B, G NE, IR, PEI, OT + Laura Orshaw F, M BG, VOC Laurel Martin F IR (esp. Clare & East Galway) Lissa Schneckenburger F VOC, NE, SCOT Lorraine Hammond D, M, B, HP VOC, FOLK (old and new), OT + Mali Obomsawin BASS OT, BG, IR, SWNG, JAZZ, KLEZ, CAJ, VOC Mariel Vandersteel F OT, SCAN, WO Mark Simos F, G OT, IR, NE, QB, KLEZ, VO, New Trad Marshall Racowsky G TX, SWNG, WS, OT, CJ Michelle Kaminsky F CAJ, OT Oliver Scanlon F, M, G OT, SWNG, WO + Pam Wiley F CL, OT, BG Paul Harty G, F BG, IR, NE, WS, CAJ, OT, BLUE, SWNG Pete Anick F, M, G SWNG, BG, GYP, WO, OT, BRET Pete Sutherland F, G, ... VOC, OT, NE, much more + Richard Brown M BG Rob Flax F, M, BASS JAZZ, BG + Ron Grosslein F, M NE, CL, EEUR, KLEZ, SCAN + Rose Clancy F, M, B IR, SCOT, QB Shana Aisenberg F, M, G OT, IR, SCOT, NE, KLEZ, BALK, SCAN, BLUE Skip Gorman F, M, G OT, BG, IR, SCOT, VOC + Stash Wyslouch G OT, BG, WO, MTL Susie Burke VOC VOC, FOLK, SWNG, CTRY Tim Rowell B, D, U OT Tom Morley F CL, IR, OT + Tony Watt M, G BG, OT, VOC + Van Kaynor F NE, CL, EEUR, KLEZ, SCAN
2017 Session Levels (New!)
Fiddle Hell is intended for beginners, intermediates, and advanced players. Please understand that Fiddle Hell is not for novices who are new to the instrument and can't play any tunes yet.
We've given a lot of thought to how best to describe fiddling experience levels for workshops and jam sessions. Our four levels are approximations that you can use as guidelines to pick your workshops and jams.
If you're not sure about your level, contact Dave to discuss it, ask the desk staff or instructors when you check in, or just find the sessions where you're comfortable once you're at Fiddle Hell. There are several very helpful workshops early in the weekend if you've had little experience learning by ear or jamming.
In addition to fiddlers, mandolin players, violists, and cellists are welcome, and we've added mandolin and cello tracks to the schedule. We have also added guitar and frailing banjo tracks; please contact Dave first to ask about these if you haven't been to Fiddle Hell before. For musicians playing other acoustic instruments, please contact Dave first to ask about these if you haven't been to Fiddle Hell before.
We request that any accompanying instruments only play styles and tunes they are familiar with, and ask before joining jam sessions.
Please read through these new 2017 levels, and the advice that follows.
Beg = Beginner. Knows 8 tunes or more; working on basics of rhythm, tone, intonation, bowing, repertoire, playing by ear; would like to play with others; has fun! In workshops: expecting simple tunes, taught slowly, with help on technique and style. In jams: expecting easy and common tunes, s l o w tempos, and more guidance on jamming basics.
Low Int = Low Intermediate. Knows 20 tunes or more, can play at a reasonable speed (mainly from memory) in one or more traditional styles, working on technique, on going beyond the basic tune, and perhaps on jamming; has fun! In workshops: looking for simpler tunes, taught more slowly. In jams: expecting well-known tunes, slower tempos and more direct guidance.
High Int = High Intermediate. Knows 40 tunes or more, can play up to speed (usually from memory) in one or more traditional styles, working on technique, on going beyond the basic tune, and perhaps on jamming; has fun! In workshops: looking for more challenging intermediate tunes, taught more quickly, with a focus on stylistic aspects. In jams, expecting a broader range of tunes, faster tempos and less guidance.
Adv = Advanced. Knows larger repertoire in one or more traditional styles, plays with nuance (from memory) within these styles, has generally solid technique, has a fair amount of experience playing with others; has fun! In workshops: looking a relatively fast teaching pace, challenging tunes, and a focus on ornaments, variations, and nuances of style. In jams: expecting fast tempos, challenging and wide-ranging tunes, and little guidance. About 10% of FH attendees are professionals, and several of the Adv sessions will focus on career-enhancing skills.
All Levels = Appropriate for all musicians or listeners.
In addition to the tune counts above, there are at least three separate aspects of levels that you may wish to balance in choosing workshops, including technical facility on the instrument, ability to learn by ear, and familiarity with the fiddle style being taught. If you have considerable facility on fiddle, and are fast at learning by ear, but are not familiar with the style being taught, it's reasonable to attend High Int or Adv workshops. If you are very new to learning by ear, or have limited capability on fiddle, stick with the Beg or Low Int workshops to start, even if you're quite familiar with the style.
Beginners are invited to sit in the front of Beg workshops; Low intermediates, in the front for Low Int workshops; and so on.
Occasionally, sessions are for mixed levels, such as Beg - Low Int. In that case, the Beg fiddlers may find some parts of the workshop to be a challenge, and the Low Int fiddlers may find some material to be a bit slow-paced. We ask for your patience here, from both points of view!
Naturally, the session leaders pay attention to who shows up and how well they're absorbing the material, but leaders do try to teach or lead at the "advertised" levels. To give an example, even if an Adv player joins a Beg workshop, it should remain a Beg workshop. Please speak up if you’d like something explained or repeated, especially in lower level workshops.
There are often clues to the level of a session in its title or description. A "slow jam" should be just that; one described as "up-to-speed" or "no holds barred" will be more challenging.
Of course, if you find a session to be too difficult or too easy or are not enjoying it for any reason, please head off to a different one. Or take a break and relax.
In the workshop and jam listings on the schedule, the sessions are listed in order of level for each time slot. For example, you'll see Beg sessions before Low Int sessions before High Int sessions before Adv sessions. All Levels sessions are listed first.
Here are labels you'll see online and in the program:
KIDS = Primarily intended for kid fiddlers (ages 5-18, say). Of course, kids are welcome to attend any sessions they want at Fiddle Hell. Adults may attend kids' sessions, but hang out in the back and play it cool.
MINI CONCERT = Sit back and listen. Most of these have three instructors playing, for about 20 minutes each.
NEW 52 = Teaches one of the New 52 Common Tunes. We'll be recording a 2CD set of these in April, 2017, and it will be available in June.
WARMUP = At the beginning of each day is a gentle warmup session led by Ellen Carlson.
TEACHERS = Addresses how to teach a particular technique or skill (e.g., jamming, improvising), for FH attendees who are teachers or would like to teach.
TEENS = There are two short teen meetup sessions, which don't conflict with any other sessions.
MANDO = A session in the mandolin track. Bring your mandolin.
CELLO = A session in the cello track. Bring your cello.
GUITAR = A session in the guitar track. Bring your guitar.
BANJO = A session in the frailing (mainly oldtime) banjo track. Bring your banjo. We don't have a bluegrass banjo track (yet).
SING = A session in the singing track. Bring your voice.
FLASH MOB = Gather between regular sessions to play a great tune together.
FLASH MARCH = Gather between sessions to stroll and play two great tunes.
FLASH GORDON = = The hero of a space opera adventure comic strip that began in 1934.
2017 Fees & Prepayment
Kid (17 or under) $110 $125 $55 $35 $75 $45 $50 Young Adult (18-25) $110 $125 $55 $35 $75 $45 $50 Adult (26-64) $125 $140 $60 $40 $85 $50 $55 Senior (65 or over) $110 $125 $50 $35 $75 $45 $50 Non-Musician (parent, spouse) $60 $65 $35 $25 $45 $30 $30
You can pre-pay your fee for the full Fiddle Hell weekend at a discounted rate using the dropdown menu and buttons below, until Oct. 15th, 2017. This will work even if you don't have a PayPal account; you'll have the option of using a credit card. If you would prefer to send a check, that's fine - make it out to "Fiddle Hell" and send it to Dave Reiner, P.O. Box 566, Lexington, MA 02420.
The dropdown menu also has an option to contribute $20 toward FH expenses if you can, and several options to donate to the FH Scholarship Fund if you'd like.
It is fine to pay when you arrive at the Westford Regency in Westford, MA. Just show up when you like during the weekend, register and pay on-site with cash or check. There is an ATM in the hotel lobby, and other ATMs nearby.
2017 fees have increased slightly ($10 for the prepaid weekend, $5 for a single day) to help cover our costs for hotel function rooms and session rooms, lodging for instructors coming from far away, sound systems and lights, event insurance, and additional sessions.
The Saturday night concert and contra dance are included if you've paid for Saturday or the weekend.
You will receive a stylish wristband when you register; please wear it throughout your time at Fiddle Hell.
Kids (17 or under) are required to have an accompanying adult (or "young adult") at Fiddle Hell with them. This might be a parent or relative, for example, or an older musical friend. The accompanying adult need not attend all sessions with the kid, but has the responsibility of supervising the kid's participation in Fiddle Hell activities. An accompanying adult should be registered at Fiddle Hell in one of the musician categories or as a Non-Musician, and also listed on the kid's registration form. Thanks for your understanding on this point.
2017 Sat. Concert & Dance
Our Saturday night concert, 7:00-9:30PM on Nov. 4, 2017, will feature an amazing lineup of 20+ traditional fiddlers.
Fiddlers will likely include Andrea Beaton, Andy Reiner, Bruce Molsky, Darol Anger, Dave Reiner, Eric Favreau, Frank Ferrel, Katie McNally, Lissa Schneckenburger, Pete Sutherland, Tom Morley, and six more. The concert is free if you’ve paid for Saturday or the Fiddle Hell weekend; walk-ins are $15 at the door. Tell your friends and family! The doors open around 6:30PM. We won't run out of tickets, but it's a good idea to arrive early if you need to park and buy tickets.
The concert will be followed from 9:30-11:00PM with an easy and fun Contra Dance - you can dance or sit in with the band. The dance is free if you're at the concert; there are no separate tickets just for the dance.
After the concert and dance, Fiddle Hell continues through the wee hours of Saturday night! There are more workshops (check out Andy Reiner's Free Improvisation for all levels) and several jams (New England, Oldtime, and more), until 3AM. Just like last year, we'll also have jamming until 12:30AM at Old Joe Clark's Pub in the hotel. While you can stay up late on Saturday night if you like, don't forget there are another 95 workshops and jams starting at 9:30AM on Sunday (and a new Warmup session at 8:30AM).
Free bonus to all attendees ... One extra hour of sleep Saturday night, thanks to Daylight Savings Time!
Photos & VideosPhotos from Fiddle Hell Massachusetts 2016, with great thanks to Joni Lohr.
A fine place to look for great photos and albums -- and a few videos -- from Fiddle Hell 2016 and 2015 is on the Fiddle Hell Massachusetts Facebook group page for photos.
Videos from Fiddle Hell 2012 at our prior location in Concord, MA:
Moments from Fiddle Hell
Ruminations from Fiddle Hell Attendees
Ruminations from Fiddle Hell Staff
Sandy Boys Jam at Fiddle Hell
Contra Dance at Fiddle Hell
Dave's Thoughts on Playing by Ear
Some fiddlers ask about playing by ear versus using sheet music at Fiddle Hell.
Since I write fiddle books, I'm certainly not opposed to sheet music in general. And quite a few of the common tunes on the Fiddle Hell 2-CD set are also in my book Anthology of Fiddle Styles. But allow me to suggest that you try to play by ear as much as you can at Fiddle Hell, and that you learn some of the Fiddle Hell repertoire by ear instead of trying to find sheet music.
It's okay to bring sheet music along for occasional reference if you feel you need to do so. But here's why I suggest playing by ear.
Playing by ear encourages you to:
- Listen more carefully to other players
- Absorb more of the groove, the stylistic nuances and the feel for the tune
- Improve your ability to learn by ear
- Jam and play along with tunes you haven't heard before or not much - there are many fiddlers and many, many tunes played at Fiddle Hell!
- Vary the tune a bit within the style
If you're new to fiddle, I'd guess there are a couple of songs that you can sing or hum, like Happy Birthday, or Twinkle, Twinkle Little Star, or others, and that you could play these by ear on fiddle with a little experimentation. Try it! It's just a matter of developing this ability with fiddle tunes. If you listen to and try singing or playing along with your favorite fiddlers or with the Fiddle Hell repertoire CDs (which include slow versions of the tunes), you'll eventually have some of those tunes in your head. Then you can sound them out on your fiddle. I know it's hard at the beginning, but it'll get easier over time.
Even if you track down some sheet music for a tune, that may not be the version that's commonly played, so listening and playing by ear is still preferable. And even if you can play what's on the sheet music perfectly, it may sound mechanical and you'll be tied to it unless you take the additional step of learning it by ear.
Here's my personal experience. I've learned some tunes by ear and some from music. The ones that I'm most comfortable with and that sound the best are almost always the ones I picked up by ear.
- Dave Reiner